Frances Conroy Explores the Subject Was Roses

Frances Conroy Explores the Subject Was Roses

Features by Deborah Behrens  |  March 11, 2010

While Six Feet Under earned Conroy a Golden Globe Award, four Emmy nominations and a new mass audience, the red-headed Juilliard graduate has long been a favorite of iconic playwrights and directors. READ MORE

The Subject Is Revivals

The Subject Is Revivals

Editorial by Don Shirley  |  February 24, 2010

The Subject Was Roses gets a star-driven lease on life. Previous small-theater hits Could I Have This Dance? and Bark! receive comebacks. READ MORE.

Robert Redford to Be Honored By USC School of Theatre

Robert Redford to Be Honored By USC School of Theatre

News by Janet Thielke  |  February 1, 2010

The USC School of Theatre, considered one of the premiere theatre schools in the country, launches a new tradition by honoring celebrated actor/director Robert Redford with the newly established “Robert Redford Award for Engaged Artists” READ MORE

CTG’s Porn Project and Other Wishes for 2010

CTG’s Porn Project and
Other Wishes for 2010

Editorial by Don Shirley  |  January 5, 2010

It would be great to see CTG’s porn-project-in-progress in 2010. And here are plenty of other wishes for L.A. theater. READ MORE.

Connie Chats

Connie Chats

Features by Connie Danese  |  January 5, 2010

An update on the latest Chat Choice, Chit Chat, Book Biz and Insider Biz from Connie Danese READ MORE

CTG Receives $1 Million from Mellon Foundation

CTG Receives $1 Million from Mellon Foundation

News by Janet Thielke  |  August 17, 2009

Center Theatre Group (CTG) receives $1 Million grant from the Andrew W. Mellon Foundation to be used for the development of new and original works READ MORE

Mike Daisey Questions the Los Angeles Theatre Community

Mike Daisey Questions the Los Angeles Theatre Community

Features by admin  |  May 15, 2009

Held after a sold-out performance of his famed monologue, HOW THEATRE FAILED AMERICA, Mike asked a series of pointed and probing questions to the panelists and audience members, hoping that the monologue and the roundtable would provide a basis for ongoing dialogue and action in the theatre of LA in this time of change in our country. READ MORE