L.A.’s summer Shakespeare specializes in sexual jealousy but offers plenty of strong directorial gestures along the way, particularly those of Matt Walker in A Wither’s Tale. And why is South Pasadena’s Topdog/Underdog more moving than Hollywood’s? READ MORE.
What’ll the Times Think Of Next?
In separate Sunday articles, the Times has now summed up the current condition of six larger theaters and the sub-100-seat theater scene. When will we read a similar article about the rest of the L.A. theater scene? READ MORE
A New Play Harvest, an LA Times Shakespearean Drought
A bumper crop of new American plays in small theaters includes Justin Tanner’s and Del Shores’ latest, as well as Opus, Becky’s New Car, Four Places and Fabric. Meanwhile, the LA Times ignores even more close-to-home alfresco Shakespeare. READ MORE
The Drug Dealer of Inishmore, Songs and Dances
What’s it like to perform upside-down in the astonishing The Lieutenant of Inishmore? And a few impressions of Songs and Dances of Imaginary Lands. READ MORE
The Fringe, the Ring, and Supernova
The Hollywood Fringe Festival was fun, but its scattershot programming didn’t bring much of anything new to LA theater. Let’s compare it to the Ring cycle — and to the kind of festival that might actually yield long-term benefits for our theatrical ecology. READ MORE
Figuring Out the Fringe
Flustered by the size of the Hollywood Fringe and the anonymity of so many of its participants? Here are a few guidelines and a few comments on non-Fringe shows as well. READ MORE.
On the Eve of the Fringe…
Can the Hollywood Fringe overcome L.A.’s geography and create a temporary theater district? READ MORE














