John O’Hurley is a man accustomed to life imitating art. This week he channels the iconic catalog entrepreneur again in the guise of J.B. Biggley, pompous president of World Wide Wicket Company, for Reprise Theatre Company’s mounting of How to Succeed in Business Without Really Trying…READ MORE
Dakin Matthews: At Liberty to Create
Dakin Matthews is a man whose prodigious creative output instantly invokes Orson Welles comparisons for the sheer audacity of its award-winning range. READ MORE
Lisa Kron Creates a Political Wake
at the Kirk Douglas
Titling a play can be a tricky thing. Just ask Lisa Kron whose Center Theatre Group commissioned play The Wake recently world premiered at the Kirk Douglas Theatre, nearly four years to the day since her previous show Well, which she both penned and starred in, made its 2006 Broadway debut…READ MORE
Frances Conroy Explores The Subject Was Roses
While Six Feet Under earned Conroy a Golden Globe Award, four Emmy nominations and a new mass audience, the red-headed Juilliard graduate has long been a favorite of iconic playwrights and directors. READ MORE
Jeanie Hackett Directs the Vast Canvas of Cousin Bette
No one knows better the meaning of the adage, “Be careful what you wish for, lest you get it,” than Jeanie Hackett. READ MORE
Anne Gee Byrd:
Authentic in Her Art and Life
Anne Gee Byrd oozes authenticity. Her lack of artifice and zero tolerance for bullshit place the former repertory circuit player squarely in Geraldine Page territory. Think Molly Ivins with a Thelma Ritter twist. READ MORE
Alan Mandell & Lawrence Pressman’s Odyssey into No Man’s Land
Memory is a hauntingly elusive and quixotic siren. That actors Alan Mandell and Lawrence Pressman should seek to curry her favor for the Odyssey Theatre Ensemble’s new staging of No Man’s Land portends an outing of both personal and historic note. READ MORE















